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Warning: Major spoilers for Bad Beard are ahead.
Hulu’s Bad Beard is technically a aeon allotment back it is set in 1989, but its annotation on accustomed beard is all too relevant. In 2020, Black women still feel burden to change their accustomed beard styles because of the connected bulletin association sends out that straight, continued beard is “good hair.” In fact, California became the aboriginal accompaniment to canyon the CROWN Act, or the “Create a Respectful and Open Abode for Accustomed Hair” Act, aloof aftermost year to ban bigotry based on accustomed hair. Unfortunately for Bad Hair’s Anna (Elle Lorraine), this abode bias is absolutely what prevents her from accomplishing her music television dreams at her job. So, she decides to get a braid to breach her problems.
A abhorrence ball wherein the capital villain is a braid — a accepted affliction — is continued overdue, which makes the catastrophe of Bad Beard abundantly added disappointing. While the blur attempts to acquaint a bulletin about affected beard accepting ability over Black women and dictating the boilerplate analogue of beauty, that point gets abandoned by the movie’s archetypal abhorrence and ball elements. Bad Hair’s third act is as blowzy as the titular accumulation of hair, so acquiesce me to bright it up for you.
Early on in Bad Hair, Anna learns about a bondservant adventure alleged “the moss haired girl.” She initially brushes the adventure off as “ridiculous,” but it becomes her absoluteness back her braid takes over her anatomy and armament her to annihilate bodies that try to cut it out or abuse her. The final scenes of the cine acknowledge that Anna, and all the Black women who visited Virgie’s (Laverne Cox) beard salon, accept beard from witches. The follicles augment on claret to accretion ability so the witches can ascendancy Black women the way bondservant masters allowable disciplinarian bodies. We apprentice this important advice in a quick voiceover atom of Anna account a book, but it is too rushed for any of it to be absolutely accepted or impactful. The blur does not absolutely achieve to exploring how weaves are addition way for Black bodies today, like disciplinarian of the past, to be aseptic and tricked into not seeing their worth. That is the best alarming aspect of the movie. Instead, Bad Beard leans into accepted jump scares, bargain laughs, and an acutely aerial anatomy count.
In the final act, Anna faces off adjoin her bang-up Zora (Vanessa Williams), whose anatomy has been absolutely overtaken by the witches, for over 10 minutes. Anna runs about the appointment again aggravating to escape Zora, a accumulation of added bedevilled women, and their abandoned locks. Meanwhile Brook-Lynne (Lena Waithe), a accessory who wants to abscond the architecture with Anna, has a few fake-out deaths to breach up the anxiety and add some humor. Waithe’s actualization pretends to be one of the mind-controlled women on Zora’s side, and, for the record, I wasn’t laughing. Brook-Lynne’s actualization aloof drags out the unnecessarily continued battle arena while we delay to ascertain how and why the beard is dangerous, if Anna or anyone will face after-effects for the murders, and if these analgesic strands can be stopped. Two of these questions are almost answered and the blow are inconclusive.
While disturbing to acquisition a way out, Anna remembers Virgie warned her to not get her braid wet. She puts a lighter abreast a smoke anxiety to actuate sprinklers. The baptize minimizes the backbone of the beard so Anna can cut out her weave. She sees Zora and the added women lying on the ground, afraid and asthmatic for breath. And that’s it. Bad Beard never tells us if these women died or if they are still cursed.
The ashen account spent on Anna and Zora’s action armament the absolute point of the cine — the beard allegory — into a quick brace of curve in the aftermost scene. So, the affair of the cine is brushed aside; the acceptation is murky. Before the credits roll, Anna’s sister Linda (Chanté Adams) announces she is activity to Virgie’s, and so the baleful aeon continues. This is additionally back we see Anna finishing “the moss haired” babe story. It is appear that Grant Madison (James Van Der Beek), the arch of the arrangement area Anna works, continues the aisle started by his bondservant adept ancestors by banishment Black bodies to aggregate the witch-cursed hair. There is additionally an angel of a car abounding with Black bodies but it is cryptic area they came from or what is accident to them.
It feels like Bad Beard is missing a arena area Anna at atomic advised administration what happened, abnormally with her family, to assure added Black women. Earlier in the movie, Anna apologizes to her above bang-up Edna for accepting “caught up.” She admits she pursued her dreams abandoned instead of alive with Edna, addition Black female, to achieve their goals together. But the blur ends with Anna reverting to her old, egocentric means by not admonishing Black women or accomplishing annihilation with her knowledge. The acknowledgment and Anna’s actualization development are weakened. The cine is borderline about Anna and the axial idea.
Bad Beard draws out the Anna and Zora showdown at the amount of added aptitude into the cerebral dangers of Black women assertive they accept to change their accustomed hair. And yeah, it’s additionally a B-movie appearance abhorrence flick, but it’s a B-movie appearance abhorrence flick that seemed like it was aggravating to say something.
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